Organized by Margaret Olin and Sally Promey, in conjunction with multi-site Yale University exhibition on the same subject as well as the graduate seminar team-taught by Margaret Olin and Sally Promey
October 10
Biblical Borders and the Nation-State
a lecture by Rachel Havrelock, University of Illinois, Chicago
5 pm
sponsored by the Program in Judaic Studies
The Wedding Banquet (Taiwan, US, 1993)
Discussants: Professors Ron Gregg and Sally Promey
Supported by Films at the Whitney, the Institute of Sacred Music, and the Initiative for the Study of Material and Visual Cultures of Religion.
Melancholia (US, 2011)
Discussants: Professors Kathryn Lofton and Sally Promey
Supported by Films at the Whitney, the Institute of Sacred Music, and the Initiative for the Study of Material and Visual Cultures of Religion.
Agnes of God (US, 1985)
Discussants: Professors Kathryn Lofton and Sally Promey
Supported by Films at the Whitney, the Institute of Sacred Music, and the Initiative for the Study of Material and Visual Cultures of Religion.
The Life of Pi (USA, 2012)
American Studies, Film Studies Program, Initiative for the Study of Material and Visual Cultures of Religion supported by the Yale Institute of Sacred Music, Religious Studies, and Films at the Whitney supported by The Barbakow Fund for Innovative Film Programs at Yale
Flowers of St. Francis (Italy, 1950)
Part of the "Francesco Vanni: Art in Late Renaissance Siena" Film Series
Introduced by Suzanne Boorsch (Robert L. Stolley Curator of Prints, Drawings, and Photographs, Yale University Art Gallery) and John MacKay (Chair, Film Studies Program)
Religion and Film Series, the Institute of Sacred Music, Film Studies Program, Film Study Center, courtesy of Paul L. Joskow, Yale University Art Gallery, and Films at the Whitney supported by The Barbakow Fund for Innovative Film Programs at Yale.
The Agony and the Ecstasy (US-Italy, 1965)
Part of the "Francesco Vanni: Art in Late Renaissance Siena" Film Series
Introduced by Suzanne Boorsch (Robert L. Stolley Curator of Prints, Drawings, and Photographs, Yale University Art Gallery) and Sally Promey (Director of the Initiative for the Study of Material & Visual Cultures of Religion, Yale University)
Caravaggio (UK, 1986)
Introduced by Suzanne Boorsch (Robert L. Stolley Curator of Prints, Drawings, and Photographs, Yale University Art Gallery) and Kathryn Lofton (Religious Studies and Chair, LGBT Studies)
Religion and Film Series, the Institute of Sacred Music, Film Studies Program, Film Study Center, courtesy of Paul L. Joskow, Yale University Art Gallery, and Films at the Whitney supported by The Barbakow Fund for Innovative Film Programs at Yale.
Donnie Darko (USA, 2001)
Introduced and post-screening discussion led by Professor Kathryn Lofton.
American Studies, Film Studies Program, Initiative for the Study of Material and Visual Cultures of Religion supported by the Yale Institute of Sacred Music, Religious Studies, and Films at the Whitney supported by The Barbakow Fund for Innovative Film Programs at Yale
The Devils (UK, 1971)
Introduced and post-screening discussion led by Professor Kathryn Lofton
American Studies, Film Studies Program, Initiative for the Study of Material and Visual Cultures of Religion supported by the Yale Institute of Sacred Music, Religious Studies, and Films at the Whitney supported by The Barbakow Fund for Innovative Film Programs at Yale