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Essays are narratives of varying lengths that engage in extended analysis of multiple images, objects, monuments, buildings, or spaces.

Volume 6: Issue 1
  • Olaya Sanfuentes
    Embracing the belief that the humblest of individuals participated in Jesus’s birth with their presence and their gifts alongside the wisest, Christians of every era have wished to display their own participation and contribution to this foundational Christian event. This article describes the ways in which a traditional, rural-inspired society like that of Santiago, Chile at the end of the nineteenth and the beginning of the twentieth centuries expressed itself through its nativity scenes.
Volume 5: Issue 2 Material Religion of High Altitude Ecologies

Guest edited by Amy Holmes-Tagchungdarpa and Kalzang Dorjee Bhutia in collaboration with MAVCOR Journal Editor Emily C. Floyd. The call for papers for this special issue invited scholars coming from diverse disciplines (religious studies, anthropology, archaeology, history of art, visual studies, etc) and working across a range of high altitude ecologies, from the Andes to the Himalayas and beyond, to consider how the specificities of these regions impact material and visual aspects of religious practice. This special issue is published on a rolling basis.

Volume 5: Issue 1
Volume 3: Issue 2 Material and Visual Cultures of Religion in the American South

This special joint issue is published with The Journal of Southern Religion (JSR). The journals issued a call for papers together in 2017 and are pleased to publish these four peer-reviewed articles, two editorial introductions, and one editorial reflection. In his editorial reflection, Bill Ferris considers his own history with southern religion and material culture. Jason Young and Louis P. Nelson offer introductions for the four articles, with additional reflection on the state of the field.

Volume 3: Issue 1
Volume 2: Issue 1
  • Sally M. Promey
    Obey God and Live (Vision of Heaven) is Elijah Pierce’s personal conversion narrative. In this piece of wood he depicted the definitive episode of his own spiritual autobiography, an event in his past that he understood to (re)organize, interpret, and frame his entire life.

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