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Collection forthcoming in complement to Alex Dika Seggerman's Modernism on the Nile: Art in Egypt Between the Islamic and the ContemporaryThe University of North Carolina Press, 2019.

Future Publics: The Transnational Origins of Egyptian Modernism
Mahmoud Mukhtar: Pedagogical Nationalism
Lawyerly Luxury of Easel Painting: Mahmoud Said
The Beauty of Uncertainty: Abdel Hadi el-Gazzar and the "Return" of Religion in Art
Potent Flows: The Fellaha and Water Jug

About the Author

Alex Dika Seggerman is Assistant Professor of Islamic Art History at Rutgers. Seggerman received her Ph.D. from Yale University in the History of Art in 2014. Seggerman’s scholarship investigates the intersection of Islam and modernism in art history. This includes archival research on modern Middle Eastern art movements, as well as an examination of how Islamic art history is a product of the modern era. Moreover, her research contributes to the growing field of global modernisms, diversifying narratives of twentieth-century art. Seggerman's first book, Modernism on the Nile: Art in Egypt between the Islamic and the Contemporary, traces the arc of Egyptian modernism in art, arguing that artists confronted and visualized the transnational context of their circulation.

 

Imprint
Author
Alex Dika Seggerman
Year
2019
Volume
Volume 3: Issue 1
Copyright
© Alex Dika Seggerman
DOI 

10.223322/mav.coll.2019.1