Conversations

Tracy Fessenden, Hillary Kaell, and Alexia Williams discuss three iterations of religious, material economies: bus stop clocks, cloistered Magdalens, and a Catholic prayer card from Denver.

If the Marxian dialectic culminates with the mystification of the commodity, these essays seem to envision a sacralization and re-sacralization of the profane, such that matter is the accumulation of sacred value. Transcendence and enchantment in this account are very much “real” and just as ontologically entrenched as capitalism.

From the familiarity of scent to the spread of colonial/space time, and through Black vernacular culture and “linking” us to divine power through the digital, Ellen Amster, Dusty Gavin, and Suzanne van Geuns introduce us to the strange intimacies of the wifey.

In Fall 2020, Paul Johnson, Emily Floyd, and Kati Curts met on Zoom. In this edit of their extended conversation, the authors question “planned sacred space,” the role of design in creating religious experience, and the category of the “relic.”

Judith Ellen Brunton, Richard Callahan, and Alexandra Kaloyanides endeavor to find the resonances their images pose to characterizing material economies of religion in the Americas. In emails from the autumn of 2020, each offers moments of speculation on the contexts shaping their research objects, and the supernatural powers and economies they enchant.

In this collaboratively written exercise, the authors discuss the material significance of embodied sense perceptions and affects. Despite Protestant secularity’s claims to the contrary, sensation and affect are no more confined to interiorized subjective mental states than is religion merely belief.

Cody Musselman, Kambiz GhaneaBassiri, and Roxanne Korpan each present an object for consideration. Together they think about what it means for each object to be involved in the material economy of religion. Their conversation traverses various geographies and traditions, and ponders how material objects can be carriers of religion.

Kambiz GhaneaBassiri and Anna Bigelow speak with Christiane Gruber about changes and growth in field of Material Islam, new arenas of inquiry, and their hopes for further interdisciplinary scholarship.

In 2014 the Dominican Order in Peru worked with Brazilian NGO EBRAFOL to produce digital facial reconstructions of Peruvian saints Rose of Lima, Martin of Porres, and John Macías.

Ashley Makar interviewed Nruhari Das on September 22, 2012 at the Sri Sri Radha Govinda Mandir ISKON Hare Krisha Temple in Brooklyn, New York.

Ashley Makar interviewed Shephard (Shep) Parsons in 2011 when Parsons was minister at Shelton Congregational Church in Shelton, Connecticut. He is currently Senior Pastor at First Church of Christ, Woodbridge, Connecticut.

A follower of Bawa Muhaiyaddeen, Green is based in Pennsylvania and is best known for his illustrations in The Illuminated Rumi (1997).

Imam Shamsi Ali is an Islamic scholar, Chairman of the Al-Hikmah Mosque in Astoria, and the Director of Jamaica Muslim Center in Queens.

Ashley Makar interviewed Reverend Alex Dyer, priest-in-charge of St. Paul and St. James Episcopal Church of New Haven, CT in May 2011.

Ashley Makar interviewed Julie Dickerson in 2010 while she was painting a mural of “dancing saints”—ranging from Moses’ sister Miriam to Martin Luther King—in the undercroft at St. James and St. Paul Episcopal Church in New Haven, Connecticut (affectionately nicknamed “St. PJ's”).

This conversation about spirituality happened in the home of Aparajita Guha in Rexford, New York, on June 20, 2012. Guha, a practicing Hindu, is a family friend of Ashley Makar, who is a practicing Christian.

Ashley Makar spoke with Rabbi Jordie Gerson on October 26, 2010 at Yale University’s Joseph Slifka Center for Jewish Life. Rabbi Jordie Gerson currently works as the Assistant Director and Campus Rabbi at University of Vermont Hillel.

Ashley Makar spoke with Holland Cotter, co-chief art critic and a senior writer at The New York Times, at the American Academy of Religion (AAR) Conference in Chicago on November 18, 2012.