You are here

Object Narratives explicate religious images, objects, monuments, buildings, or spaces in 1500 words or less.

Conversations

MAVCOR began publishing Conversations: An Online Journal of the Center for the Study of Material and Visual Cultures of Religion in 2014. In 2017 we selected a new name, MAVCOR Journal. Articles published prior to 2017 are considered part of Conversations and are listed as such under Volumes in the MAVCOR Journal menu.

  • In a black and white photo, a young light-skinned man wears a slightly rumpled suit jacket. He looks up and out of the picture frame in the portrait.
    Lindsay Reckson
    Early debates around the use of the electric chair pivoted on the convergence of state and divine power.
  • A circular tortoiseshell frame holds an embroidered image of an enthroned Virgin wearing a light blue cloak and holding the Christ child. Both wear royal coronets. A treasure chest lies open on the ground at their feet.
    Cristina Cruz González
    Nun's badges worn in colonial New Spain not only articulated a woman’s religious affiliations, family fortune, and ethnic purity but also expressed her desire to influence political opinion.
  • A white t-shirt with blue lettering that reads "Adonai" is displayed on a black clothing form. The text uses the same geometric sans font used by Adidas, and the trefoil corporate logo is included in blue above the "ai."
    Anne Grant
    The t-shirt’s appropriation of a multinational sportswear corporation’s logo into a sacred Hebrew name for God could be simply a clever play on words, but a more critical approach might take into account the commodification of this sacred name for the deity and its subsequent selling in the marketplace for profit.
  • In this painting, a light-skinned man in a black waistcoat raises his hand and addresses a large assembly of figures. They wear stereotypical American Indian dress of hide clothes and red or blue cloaks. Teepees stand in the background.
    Nathan Rees
    Although LDS doctrine esteemed Native Americans as literal descendants of the peoples of the Book of Mormon, relations between Mormons and Indians in Utah grew increasingly strained as resources became scarce. Christensen’s work reflects this divided perspective.
  • Crispin Paine
    The portable altar seems to have developed in the missionary world of the seventh century, to meet the Church's requirement that Mass be celebrated only on a consecrated altar—a requirement that strengthened the position of bishops, who alone could consecrate them.
  • Akela Reason
    In his 1880 The Crucifixion, Thomas Eakins, a reputed agnostic, crafted a realist interpretation of one of the central devotional subjects in Christian art, challenging the traditional iconography of the crucifixion by eliminating all signs of divine presence.
  • Sally M. Promey
    Visibly claiming to regulate the prescribed Christian imitation of the biblical figures they represented, late-nineteenth and early-twentieth century statues of light-complexioned religious figures populated domestic spaces, churches, and missions fields, and implied that looking like Jesus or Mary or John might be more “natural” or “complete” for some than for others.
  • A black and white photo depicts a dark-skinned woman in a white veil cradling a swaddled baby close to her chest. She fold her hands in her lap and casts her eyes down. A nativity star is visible in the righthand corner.
    Camara Dia Holloway
    During the Harlem Renaissance, mother and child portraits and figure studies were especially popular in the African American media, signaling the importance placed on motherhood and the nurturing of future generations.
  • Andrea Pappas
    Strong, gestural markings in the central red band distinguish this painting from Rothko’s other mature works. This anomaly consists of long, gently undulating lines formed by gouging the surface of the paint all the way to the canvas before it dried. Straining out from a central point, the horizontal lines contrast sharply with the fuzzy, indeterminate edges of the other elements of the painting.
  • A busy painting captures a profusion of 19th century figures in one crowded section of the sunny street. Men dig trenches or toss back drinks. Women grasp babies, hand out pamphets, hold baskets of flowers, and stroll by with parasols.
    Tim Barringer
    Ford Madox Brown’s allegory of labor in all its forms is the most ambitious Pre-Raphaelite painting of modern life and a profound meditation on the relationship between art, religion, and labor in Victorian society.
  • Petra ten-Doesschate Chu and Peter Ahr
    The internationally famous Danish sculptor Bertel Thorvaldsen (1789–1838) was asked to produce a series of colossal statues of Christ, John the Baptist, and the apostles for the new Neoclassical Vor Frue Kirke of Denmark. Of these, Christus (Christ) has become best-known. Copies of the sculpture, often true to size or even larger, can be found around the world.
  • The homemade cover of a book depicts a young man reclining in a row boat as he reads a book. The background of the watercolor and ink illustration is a deep red. A set of red and black beads are affixed to the flat image as a necklace on the man's neck.
    Kristin Schwain
    Rolando Estévez Jordán, a visual artist, and Alfredo Zaldívar, a poet, co-founded Cuba’s Ediciones Vigía (Watchtower Editions) in 1985 to create an open forum for writers, musicians, and artists.

Pages