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A special issue curated by Kati Curts and Alex Kaloyanides

Individual Contributions

  • Woodcut of Christ on the crucifix
    Emily C. Floyd
    A simple woodcut on a late-seventeenth-century membership letter of the confraternity of Souls of the Cathedral of Lima depicts two souls bathed in flames, gazing up at Christ crucified. Stylized drops of blood pour from each of Christ’s wounded hands, visual embodiments of the doctrinal logic behind indulgences—the great sacrifice of Christ and of the martyrs of the church created a treasury of merit that ordinary sinners could draw upon.
  • Cardboard packaging of waterproof socks
    Kambiz GhaneaBassiri
    This is a pair of highly engineered, durable waterproof socks that exemplifies the rebranding of sportswear for the American Muslim market. Marketed as “wudhu socks,” the socks protect the feet and ankles from ritual impurities, and are intended to allow one not to wash one’s feet between ablutions.
  • Title page of a book, reading 'The Gospel according to St. John'
    Roxanne L. Korpan
    On April 5, 1832, Peter Jones presented King William IV with a bible he translated into Anishinaabemowin. This exchange reflects Anishinaabe gift-giving practices, in which bible gifts can be regarded as practices used to build and refuse particular religious, political, and material relations.
  • Film photograph of a wrestler, standing wearing a velvet jacket and underwear, and his manager, seated wearing a colourful suit and sparkly hat
    David Walker
    Don Leo Jonathan was born 1931 to a Mormon family in Utah. During his professional wrestling career, Don Leo capitalized on certain anti-Mormon prejudices during a period of Mormonism’s erstwhile mainstreaming and clean-cut imagination in American culture, often performing as the "heel," or villain.
  • Kati Curts
    In 1929, Henry Ford opened the Henry Ford Museum. That same year Ford Motor Company set ablaze vast swaths of rainforest in Brazil to clear land for Fordlandia, one of Ford’s rubber plantations. In Ford’s “progressive” trail across the Americas and in pictured masses arrayed outside Ford’s plants, we glimpse material economies of religion christened as political economy and mass produced in Ford’s name.

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