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A special issue curated by Kati Curts and Alex Kaloyanides

Group Conversations

  • Judith Ellen Brunton, Richard (Chip) J. Callahan, Jr., Alexandra Kaloyanides
    Judith Ellen Brunton, Richard Callahan, and Alexandra Kaloyanides endeavor to find the resonances their images pose to characterizing material economies of religion in the Americas. In emails from the autumn of 2020, each offers moments of speculation on the contexts shaping their research objects, and the supernatural powers and economies they enchant.
  • Laura S. Levitt, Sally M. Promey, David Walker
    In this collaboratively written exercise, the authors discuss the material significance of embodied sense perceptions and affects. Despite Protestant secularity’s claims to the contrary, sensation and affect are no more confined to interiorized subjective mental states than is religion merely belief.
  • Stack of Jonathan Adler 'Soul' candles in their boxes stacked in a pyramid, with one unboxed candle on the right
    Kambiz GhaneaBassiri, Roxanne L. Korpan, Cody Musselman
    Cody Musselman, Kambiz GhaneaBassiri, and Roxanne Korpan each present an object for consideration. Together they think about what it means for each object to be involved in the material economy of religion. Their conversation traverses various geographies and traditions, and ponders how material objects can be carriers of religion.

Individual Contributions

  • Two engraved whale teeth are photographed together vertically. The tooth on the left is engraved with a two-mast ship sailing in front of a landscape, with a border of palm fronds above the scene. The tooth on the right features a cloaked woman in profile
    Richard (Chip) J. Callahan, Jr.
    From Fijian ceremonial objects to nineteenth-century American whaling souvenirs, to airline membership cards, this constellation explores material economies through one raw material: sperm whale teeth.
  • Fourteen Magdalens--six kneeling in the front row, and eight standing behind--are photographed outside, in front of trees and brush, in black and white habits respective to their individual categorization. The photo is in mostly sepia tones.
    Tracy Fessenden
    Was [the Magdalens'] decision to own in perpetuity the status of penitent a judgment on waywardness, or a benediction? An internalization of white surveillance, or its repudiation?
  • An unlit candle in a glossy, rounded, yellow glass container sits unboxed beside a silver boxed candle, which most prominently says "Let it burn." and "SOUL" in black, white, and yellow text.
    Cody Musselman
    While a stationary bike is the main conduit for the SoulCycle experience, perhaps no object plays a greater role in facilitating SoulCycle’s choreography of emotion than the brand’s signature grapefruit-scented candle.
  • Electronic screenshot of the Redeeming Home website homepage
    Suzanne van Geuns
    Biblical womanhood blogs often resemble the idealized Christian home they encourage women to build. Businesses have long recognized the potential for profit in networked domesticity, enticing bloggers to participate in commercial enterprise by promising percentages of purchase costs made through their sites.
  • Gold buddha standing Buddha statue photographed against a cardboard background
    Alexandra Kaloyanides
    This golden Buddha, which has a striking resemblance to a Burmese Buddha in the British Museum, came up for sale on eBay for the sum of $5,000.00. The material of teak, the economies of the British and Burmese empires, the religion then being named "Buddhism," now give us this American eBay Buddha.
  • Kim Kardashian sits on top of an enlarged heart shaped perfume bottle
    Dusty Gavin
    The fragrance Wifey by KKW Fragrances was released in 2019. As wife to black artist Ye (formerly Kanye West), Kim KW claimed and sold the role of wifey. The “wifey” is not simply a wife. She is a model or caricature of a wife, a down-ass. The “wifey” signifies a new ideal in our contemporary popular culture.
  • Close up of people's feet standing next to a short statue
    Maya J. Berry
    Eshu-Elegguá is a divinity in the Regla de Ocha-Ifá pantheon characterized as a warrior and messenger. Enslaved Africans in Cuba taught their descendants that a good relationship with this divinity is helpful for making risky choices and providing protection when embarking on a treacherous new beginning.
  • Scan of book cover featuring a photograph of an oil rig
    Judith Ellen Brunton
    The bible "God's Word for the Oil Patch: Fuel for the Soul" offers insight into how people theorise both the value of energy and the kind of lives people need to live to access this value. The publication implies that to have the kind of soul that lives a good life, you need to manage oil and its energy: souls are things that need fuel, be it "God's word" or oil itself. Oil work, in this context, becomes soul work.
  • Clocks hung on a white wall displaying the times of various time zones
    Hillary Kaell
    A row of clocks. Each one with an identical, nondescript face—except for the hands, which are conspicuous in their different orientations. Clocks are the kind of “religion” that spills out beyond the sphere of the sacred. Rows of clocks that evoke utopian, aspirational feelings of global connectedness. These are “religious” feelings in the deepest sense of the term.

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