Volume 6: Issue 3 Characterizing Material Economies of Religion in the Americas

A special issue curated by Kati Curts and Alex Kaloyanides

Individual Contributions

Woodcut of Christ on the crucifix Object Narratives Confraternal Letter Emily C. Floyd

A simple woodcut on a late-seventeenth-century membership letter of the confraternity of Souls of the Cathedral of Lima depicts two souls bathed in flames, gazing up at Christ crucified. Stylized drops of blood pour from each of Christ’s wounded hands, visual embodiments of the doctrinal logic behind indulgences—the great sacrifice of Christ and of the martyrs of the church created a treasury of merit that ordinary sinners could draw upon.

Cardboard packaging of waterproof socks Object Narratives Wudhu Socks Kambiz GhaneaBassiri

This is a pair of highly engineered, durable waterproof socks that exemplifies the rebranding of sportswear for the American Muslim market. Marketed as “wudhu socks,” the socks protect the feet and ankles from ritual impurities, and are intended to allow one not to wash one’s feet between ablutions.

Title page of a book, reading 'The Gospel according to St. John' Object Narratives Biblical Gifts & Colonial Relations Roxanne Korpan

On April 5, 1832, Peter Jones presented King William IV with a bible he translated into Anishinaabemowin. This exchange reflects Anishinaabe gift-giving practices, in which bible gifts can be regarded as practices used to build and refuse particular religious, political, and material relations.

Film photograph of a wrestler, standing wearing a velvet jacket and underwear, and his manager, seated wearing a colourful suit and sparkly hat Object Narratives The Mormon Heel David Walker

Don Leo Jonathan was born 1931 to a Mormon family in Utah. During his professional wrestling career, Don Leo capitalized on certain anti-Mormon prejudices during a period of Mormonism’s erstwhile mainstreaming and clean-cut imagination in American culture, often performing as the "heel," or villain.

Scan of a panoramic black and white photograph of a crowd assembled outside the Ford Motor Company Object Narratives Relics and Rubber Kati Curts, Emily Floyd and Paul Johnson

In 1929, Henry Ford opened the Henry Ford Museum. That same year Ford Motor Company set ablaze vast swaths of rainforest in Brazil to clear land for Fordlandia, one of Ford’s rubber plantations. In Ford’s “progressive” trail across the Americas and in pictured masses arrayed outside Ford’s plants, we glimpse material economies of religion christened as political economy and mass produced in Ford’s name.