A postcard commemorating a young “martyr” of Mexico’s Cristero War named Antonio Verástegu engages the spectator in an act of witnessing that entails both religious and political consequences.
Embedded in power relations, coloniality, and matters of purification, early modern silver was a particularly generative site. Might its peculiar paradoxes be usefully thought in terms of a materiality of trauma?
The look and shape, feel and function of the tobacco pipe footnote the transformational features of the early modern Atlantic world: landscapes of exchange.
A narrative describing interactions between a human knower, sun, and precious stones enables a new interpretation of Nahua accounts of precious stones releasing vapors, while also providing greater insight into the nature of sensory experience in Nahua thought more generally.
In 1876, Moses Jacob Ezekiel, the first Jewish American artist of international stature, sculpted the world’s first woman, to which he gave the title, Eve Hearing the Voice.
What happens when part of the religious history a person believes in turns out to be incorrect?