You are here

Worlds of Ornament
Clothing the Body of the Church: Textile Murals
Visual Connections
Additional Views

About the Author

Ananda Cohen Suarez is Assistant Professor of History of Art at Cornell University, with a specialization in the art of colonial Latin America. She is author of Heaven, Hell, and Everything in Between: Murals of the Colonial Andes (University of Texas Press, 2016) as well as editor and principal author of Pintura colonial cusqueña: el esplendor del arte en los andes coloniales (Haynanka Ediciones, 2015). She has published articles on colonial Andean art and issues of cross-cultural exchange in the journals Colonial Latin American Review, The Americas, and Allpanchis.

Suggestions for Further Reading: 

Bonavia, Duccio. Mural Painting in Ancient Peru. Translated by Patricia J. Lyon. Bloomington: Indiana University Press, 1985.

Cabanillas Delgadillo, Virgilio Freddy. “Los demonios y el infierno en la pintura mural andina: la iglesia de Huaro (Cusco).” In Trabajos de historia: religión, cultura y política en el Perú, siglos XVII-XX, edited by Dino León Fernández, Alex Loayza Pérez, and Marcos Garfias Dávila, 93–130. Lima: Universidad Nacional Mayor de San Marcos, Fondo Editorial, 2011.

Cohen Suarez, Ananda. “From the Jordan River to Lake Titicaca: Images of the Baptism of Christ in Colonial Andean Churches.” The Americas 72, no. 1 (2015): 103–40. doi:10.1017/tam.2014.3

———. Heaven, Hell, and Everything in Between: Murals of the Colonial Andes. Austin: University of Texas Press, 2016.

———. “Las pinturas murales de la Iglesia de San Pablo de Cacha, Canchis, Perú.” Allpanchis 23, no. 77–78 (2014): 11–48.

———. “Painting Andean Liminalities at the Church of Andahuaylillas, Cuzco, Peru.” Colonial Latin American Review 22, no. 3 (2013): 369–99. doi:10.1080/10609164.2013.851323

Flores Ochoa, Jorge. “La celda del padre Salamanca (Cuzco).” Revista Peruana de História Eclesiástica 8 (2004): 183–89.

Flores Ochoa, Jorge, Elizabeth Kuon Arce, and Roberto Samanez Argumedo. “De la evangelización al incanismo. La pintura mural del sur andino.” Histórica 15, no. 2 (1991): 165–203.

———. Pintura mural en el sur andino. Lima: Banco de Crédito del Perú, 1993.

Jemio Salinas, Juan Carlos, ed. Catastro, evaluación y estudio de la pintura mural en el area centro sur andina. La Paz: Ministerio de Educación, Cultura y Deportes, Viceministerio de Cultura: Organización de los Estados Americanos, 1998.

Macera, Pablo. “El arte mural cuzqueño, siglos XVI-XX.” Apuntes 2 (1975): 59–113.

———. La pintura mural andina, siglos XVI-XIX. Lima: Editorial Milla Batres, 1993.

Niles, Susan A. The Shape of Inca History: Narrative and Architecture in an Andean Empire. Iowa City: University of Iowa Press, 1999.

Okada, Hiroshige. “Mural Painting in the Viceroyalty of Peru.” In Painting in Latin America, 1550-1820, edited by Luisa Elena Alcalá and Jonathan Brown, 403–35. New Haven: Yale University Press, 2014.

Repullés, P. Alejandro, Roberto Samanez Argumedo, Mario Castillo Centeno, Elizabeth Kuon Arce, César Aguirre Zamalloa, and Germán Zecenarro Benavente. Por la ruta del barroco cusqueño. Cuzco: Caja Municipal del Cusco, 2013.

Vallín Magaña, Rodolfo. Imágenes bajo cal & pañete: pintura mural de la colonia en Colombia. Bogotá: Museo de Arte Moderno de Bogotá, 1998.

Macera, Pablo. Trincheras y fronteras del arte popular peruano. Ensayos de Pablo Macera. Edited by Miguel Pinto. Lima: Fondo Editorial del Congreso del Perú, 2009.

Mesa, José de, and Teresa Gisbert. Historia de la pintura cuzqueña. 2 vols. Lima: Fundación Banco Wiese, 1982.

Imprint
Author
Ananda Cohen Suarez
Year
2016
Volume
Conversations
Copyright
© Ananda Cohen Suarez
Downloads
DOI 

10.223322/con.coll.2016.1

Citation Guide 

1. Ananda Cohen Suarez, “Painting Beyond the Frame: Religious Murals of Colonial Peru,” Collection, in Conversations: An Online Journal of the Center for the Study of Material and Visual Cultures of Religion (2016), doi:10.223322/con.coll.2016.1

Cohen Suarez, Ananda. “Painting Beyond the Frame: Religious Murals of Colonial Peru.” Collection. In Conversations: An Online Journal of the Center for the Study of Material and Visual Cultures of Religion (2016), doi:10.223322/con.coll.2016.1