Some braid offerings follow quinceañeras, suggesting commendation of one’s adulthood to a particular folk saint or miraculous image. Other hair and braid offerings are made after regrowth following successful chemotherapy. In special cases, which are particularly honorific, hair is donated for the wigs of miraculous images. As evidenced in votive texts, hair offerings are also made in gratitude for a variety of miracles, notably those related to health. Many braid offerings have no accompanying message and others have only the votary’s name and short texts (bless her, take care of her) or nonspecific messages: “In gratitude to the Señor de la Misericordia for hearing my prayers.”
For men and women alike, and for parents, a hair offering is usually the culmination of a long-term process of growing and grooming. Many parents give thanks for childbirth by offering the child’s hair, sometimes the first cutting, in a manner similar to first-fruit offerings. One couple was married for eight years and could not have a child until the Cristo Negro de Otatitlán granted the miracle, “and that is why we come to give you our thanks and leave for you my son’s first hairs.” Others say that a child’s hair should be offered when he or she turns three, or at least three. An offering to Mexico’s Virgen de San Juan de los Lagos is written by a mother in the voice of a child: “In gratitude for allowing me to reach my third birthday I leave you my hair.” Another offering to the same image is also written in the voice of a child, in this case a four-year-old girl who was cured of an eye orbit deformity. “I will enter your shrine in my blue dress, which I will give to you with my hair that for four years I took care of for you.” The ancient Greeks referred to this process as “growing hair for the god.” Some parents offer their own hair rather than the child’s. In gratitude for curing an infant daughter’s respiratory problems, a mother offered to the Virgen de Talpa a collage with a hospital photograph, a substantial braid, and a text that included, “I thank you and I’m bringing my daughter to you as I promised . . . and also a piece of my hair.”
The first quoted passage is in José Velasco Toro, De la historia al mito: mentalidad y culto en el Santuario de Otatitlán (Veracruz: Instituto Veracruzano de Cultura, 2000), 150. Regarding first-fruit offerings in a related context, see Hugo G. Nutini, Todos Santos in Rural Tlaxcala: A Syncretic, Expressive, and Symbolic Analysis of the Cult of the Dead (Princeton: Princeton University Press, 1988), 181, where first fruits are “an entreaty and a reminder to the dead to watch over the crops.”
The quoted Greek phrase is from David D. Leitao, “Adolescent Hair-Growing and Hair-Cutting Rituals in Ancient Greece: A Sociological Approach,” in Initiation in Ancient Greek Rituals and Narratives: New Critical Perspectives, ed. David Dodd and Christopher A. Faraone (London: Routledge, 2003), 111.
Votaries also make umbilical offerings in gratitude for childbirth, especially in Chalma. Regarding umbilical cuttings see Alicia M. Barabas, Dones, duenos y santos: ensayo sobre religiones en Oaxaca (Mexico City: Instituto Nacional de Antropología e Historia, 2006), 175; and Victor Turner and Edith Turner, Image and Pilgrimage in Christian Culture: Anthropological Perspectives (New York: Columbia University Press, 1978), where plate 5 (see page 55) shows strips of cloth, some with umbilical cuttings, on exposed tree roots on a pilgrimage route. See also Paul Cassar, “Medical Votive Offerings in the Maltese Islands,” Journal of the Royal Anthropological Institute of Great Britain and Ireland 94, no. 1 (1964): 2, where votive offerings include kidney stones, swallowed objects, and other things removed from organs.
Votive offerings are multiply efficacious: they fulfill promises, pay debts, express gratitude, bear witness, document and memorialize, strengthen faith, and mediate discursive exchanges between votaries. Some offerings tend more to one function than another, and many combine functions in various configurations. A collection of votive offerings relates a history of misfortunes, but the suffering, despair, vulnerability, and tragedy are ultimately redirected toward the happy endings afforded by miraculous intervention. Unlike the iconography of Christ, which fosters toleration of suffering through empathetic identification, petitionary devotion subordinates suffering to the miracle of alleviation. Votive offering transforms a community’s trials into success stories conducive to perseverance through faith. The offerings also aspire to a sense of permanence or at least longevity, to memorializing the fleeting miraculous moment in an enduring document or object. Such phrases as “for perpetual memory” and “I leave the miracle painted for memory” evidence an intent to objectify the miracle so that it will endure and be reactivated, in effect, by the perception of devotees who view its representation. A miracle remedies the out-of-control situation, the offering objectifies a sense of closure, and one’s faith in the image’s ongoing vigilance makes the remedy seem permanent. The votive offering serves as a kind of insurance, or assurance, that the positive change will endure.
See Karina Jazmín Juárez Ramírez, Exvotos retablitos: el arte de los milagros (Guanajuato, Mexico: Centro de las Artes de Guanajuato and Ediciones Rana, 2008), 24; and Viktor Gecas, “The Social Psychology of Self-Efficacy,” Annual Review of Sociology 15 (1989): 310
For overviews of votive offerings in other regions and periods, see Francisco de Florencia, Origen de los dos celebres santuarios de la Nueva Galicia, obispado de Guadalaxara, en la America septentrional (Zapopan, Mexico: Amate Editorial, 2001), 133-137; van der Velden, Donor's Image, 213-222; LiDonnici, Epidaurian Miracle Inscriptions, 42-44; and Mercedes Cano Herrera, “Exvotos y promesas en Castilla y León,” La religiosidad popular, vol. 3, Hermandades, romerías y santuarios, ed. Carlos Alvarez Santaló, Maria Jesús Buxó i Rey, Salvador Rodríguez Becerra (Barcelona: Editorial Anthropos; Sevilla: Fundación Machado, 1989), 392-395.