This Collection was produced in collaboration with The University of North Carolina Press as an accompaniment to
A Communion of Shadows: Religion and Photography in Nineteenth-Century America, by Rachel McBride Lindsey (2017 © University of North Carolina Press).
Barnett, Teresa. Sacred Relics: Pieces of the Past in Nineteenth-Century America. University of Chicago Press, 2013.
Barthes, Roland. Camera Lucida: Reflections on Photography. New York: Hill and Wang, 2010 .
Batchen, Geoffrey. “Vernacular Photographies.” History of Photography 24 (Autumn 2000): 262-272.
___. Each Wild Idea: Writing, Photography, History. Cambridge, Mass. and London: MIT Press, 2002.
___. Forget Me Not: Photography and Remembrance (Amsterdam: Van Gogh Museum; New York: Princeton Architectural Press, 2004).
Bowman, Marion and Ü. Valk, eds. Vernacular Religion in Everyday Life: Expressions of Belief. Bristol, CT and Sheffield, England: Equinox Publishing, 2012.
Cobb, Jasmine Nichole. Picture Freedom: Remaking Black Visuality in the Early Nineteenth Century. New York: NYU Press, 2015.
Comment, Bernard. The Painted Panorama, trans. Anne-Marie Glasheen. New York: Harry N. Abrams, 2000.
Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the 19th Century. Cambridge, Mass: The MIT Press, 1992.
Edwards, Elizabeth. “Photographic Uncertainties: Between Evidence and Reassurance.” History & Anthropology 25, no. 2 (March 2014): 171–88.
Edwards, E. and J. Hart. eds. Photographs Objects Histories. New York: Routledge, 2004.
Edwards, Elizabeth, Chris Gosden, and Ruth Bliss Phillips. Sensible Objects: Colonialism, Museums and Material Culture. Berg, 2006.
Freedberg, David. The Power of Images: Studies in the History and Theory of Response. Chicago and London: University of Chicago Press, 1991.
Fusco, Coco and Brian Wallis. Editors. Only Skin Deep: Changing Visions of the American Self. New York: Harry N. Abrams, 2003.
Gunning, Tom. “Invisible Worlds, Visible Media.” In Brought to Light: Photography and the Invisible, 1840-1900. Edited by Corey Keller. San Francisco: San Francisco Museum of Modern Art; New Haven and London: Yale University Press, 2008, 51-63.
Hallote, Rachel. “Photography and the American Contribution to Early ‘Biblical’ Archaeology, 1870-1920.” Near Eastern Archaeology 70 (2007), 26-41.
Harvey, John. Photography and Spirit. London: Reaktion Books, 2007.
Houtman, Dick, and Birgit Meyer, eds. Things: Religion and the Question of Materiality. New York: Fordham University Press, 2012.
Jay, Martin, and Sumathi Ramaswamy, eds. Empires of Vision: A Reader. Durham: Duke University Press Books, 2014.
Jolly, Martin. Faces of the Living Dead: The Belief in Spirit Photography. London: The British Library, 2006.
Kaplan, Louis. American Exposures: Photography and Community in the Twentieth Century. Minneapolis: University of Minnesota Press, 2005.
_____. The Strange Case of William Mumler, Spirit Photographer. Minneapolis: University of Minnesota Press, 2008.
Levine, Lawrence W. “The Historian and the Icon: Photography and the History of the American People in the 1930s and 1940s.” The Unpredictable Past: Explorations in American Cultural History. New York and Oxford: Oxford University Press, 1993.
Lindsey, Rachel McBride. “Mirror of All Perfection: Jesus and the Strongman in America, 1893-1920,” American Quarterly 68.1 (March 2016), 23-47.
McDannell, Colleen. Picturing Faith: Photography and the Great Depression. New Haven and London: Yale University Press, 2004.
Meyer, Birgit. “An Author Meets her Critics around Birgit Meyer’s ‘Mediation and the Genesis of Presence: Toward a Material Approach to Religion,” Religion and Society 1 (2014), 205-254.
Miller, Angela. The Empire of the Eye: Landscape Representation and American Cultural Politics, 1825-1875. Ithaca and London: Cornell University Press, 1993.
Morgan, David and Sally M. Promey. Editors. The Visual Culture of American Religions. Berkeley: University of California Press, 2001.
Musser, Charles. “Passions and the Passion Play: Theatre, Film and Religion in America, 1880-1900.” Film History 5 (Dec., 1993), 419-456.
Nagler, Linda Fregni. The Hidden Mother. MACK; Nouveau Musée National de Monaco, 2013.
Newhouse, Alana. Editor. A Living Lens: Photographs of Jewish Life from the Pages of the Forward. New York: W. W. Norton, 2007.
Nir, Yeshayanu. The Bible and the Image: The History of Photography in the Holy Land, 1839-1899. Philadelphia: University of Pennsylvania Press, 1985.
Olin, Margaret. Touching Photographs. Chicago: University of Chicago Press, 2012.
Painter, Nell Irivin. “Ut Pictura Poesis; or, The Sisterhood of the Verbal and Visual Arts.” In Writing Biography: Historians and their Craft. Edited by Lloyd E. Ambrosius. Lincoln and London: University of Nebraska Press, 2004.
Pegler-Gordon, Anna. In Sight of America: Photography and the Development of U.S. Immigration Policy. Berkeley: University of California Press, 2009.
Pinney, Christopher. Photos of the Gods: The Printed Image and Political Struggle in India. Reaktion Books, 2004.
Primiano, Leonard. “Vernacular Religion and the Search for Method in Religious Folklife.” Western Folklore 54 (January 1995), 37-56.
Promey, Sally M., ed. Sensational Religion: Sensory Cultures in Material Practice. New Haven: Yale University Press, 2014.
Raiford, Leigh. Imprisoned in a Luminous Glare: Photography and the African American Freedom Struggle. The University of North Carolina Press, 2011.
Rogers, Molly. Delia’s Tears: Race, Science, and Photography in Nineteenth-Century America. New Haven and London: Yale University Press, 2010.
Rony, Fatimah Tobing. The Third Eye: Race, Cinema, and Ethnographic Spectacle. Durham and London: Duke University Press, 1996.
Sandweiss, Martha. Print the Legend: Photography and the American West. New Haven and London: Yale University Press, 2002.
Schmidt, Leigh Eric. Holy Fairs: Scotland and the Making of American Revivalism. Wm. B. Eerdmans Publishing, 2001.
Schwain, Kristin. Signs of Grace: Religion and American Art in the Gilded Age. Ithaca and London: Cornell University Press, 2008.
Smith, Shawn Michelle. American Archives: Gender, Race, and Class in Visual Culture. Princeton, N.J.: Princeton University Press, 1999.
Sontag, Susan. On Photography. New York: Macmillan, 1977.
___. Regarding the Pain of Others. New York: Picador, 2003.
Stauffer, John, Zoe Trodd, Celeste-Marie Bernier, Henry Louis Gates Jr, and Kenneth B. Morris Jr. Picturing Frederick Douglass: An Illustrated Biography of the Nineteenth Century’s Most Photographed American. 1 edition. New York: Liveright, 2015.
Trachtenberg, Alan. Reading American Photographs: Images as History, Mathew Brady to Walker Evans. New York: Hill and Wang, 1989.
West, Nancy Martha. Kodak and the Lens of Nostalgia. Charlottesville: University of Virginia Press, 2000.
Wexler, Laura. Tender Violence: Domestic Visions in an Age of U.S. Imperialism. 1st New edition. Chapel Hill: The University of North Carolina Press, 2000.
___. “The Puritan in the Photograph,” in Michael P., Kramer and Nan Goodman, eds. The Turn Around Religion in America: Literature, Culture, and the Work of Sacvan Bercovitch. Ashgate Publishing, Ltd., 2013, 123-156.
Willis, Deborah. Editor. Picturing Us: African American Identity in Photography. New York: The New Press, 1994.
___. Reflections in Black: A History of Black Photographers, 1840 to 1999. New York: W. W. Norton and Company, 2000.
Wilson, Jackie Napolean. Hidden Witness: African-American Images from the Dawn of Photography to the Civil War (New York: St. Martin’s Press, 1999).
Wojcik, Daniel. “‘Polaroids from Heaven’: Photography, Folk Religion, and the Miraculous Image Tradition at a Marian Apparition Site.” The Journal of American Folklore 109, no. 432 (1996): 129–48.
1. Rachel McBride Lindsey, “A Communion of Shadows: Religion and Photography in Nineteenth-Century America,” Collection, in MAVCOR Journal 1 (2017), doi:10.223322/mav.coll.2017.1
Lindsey, Rachel McBride. “A Communion of Shadows: Religion and Photography in Nineteenth-Century America.” Collection. In MAVCOR Journal 1 (2017), doi:10.223322/mav.coll.2017.1