Skip to main content
  • MAVCOR
  • Search
  • Menu
    • MAVCOR Journal
    • About
    • Review Process
    • Submission Guidelines
    • Editorial Board
    • Volumes
    • User Galleries
    • Material Objects Archive
    • About
    • Submission Guidelines
    • User Galleries
    • MAVCOR Digital Spaces Project
    • Guided Tours
    • Happenings
      • Project Cycle I: Sensational Religion
      • Project Cycle II: Material Economies of Religion in the Americas
    • Conferences
    • Religion and Film Series
    • Sensory Cultures Research Group
    • News & Events
    • Resources
      • Places, Materials, Projects
      • Syllabi
    • Material and Visual Cultures of Religion
    • Materialities & Secularization Theory
    • Collaborators
    • Contact

MAVCOR Logo Center for the Study of Material & Visual Cultures of Religion M A V C O R

  • Log in
  • Create Account
Search
  • MAVCOR Journal
      • MAVCOR Journal
      • About
      • Review Process
      • Submission Guidelines
      • Editorial Board
      • Volumes
      • User Galleries
  • Material Objects Archive
      • Material Objects Archive
      • About
      • Submission Guidelines
      • User Galleries
      • MAVCOR Digital Spaces Project
      • Guided Tours
  • Happenings
      • Happenings
      • Project Cycles
        • Project Cycle I: Sensational Religion
        • Project Cycle II: Material Economies of Religion in the Americas
      • Conferences
      • Religion and Film Series
      • Sensory Cultures Research Group
      • News & Events
  • The Center
      • Resources
        • Places, Materials, Projects
        • Syllabi
      • Material and Visual Cultures of Religion
      • Materialities & Secularization Theory
      • Collaborators
      • Contact

You are here

  • Home
  • Material Objects Archive
  • Juxtaposition of Aya Sofya 3465, fol. 1b, with Paris, Bibliothèque nationale de France, Supplément Persan 913, fol. 2b

Juxtaposition of Aya Sofya 3465, fol. 1b, with Paris, Bibliothèque nationale de France, Supplément Persan 913, fol. 2b

›
  • Share
  • Add to Gallery
Medium: 
paper, manuscripts
Tradition: 
Islamic
ID: 
22013
Notes: 

ʿAzīz ibn Ardashīr al-Astarābādī, Bazm wa Razm, Istanbul, Süleymaniye Kütüphanesi, Aya Sofya 3465

 

ʿAzīz ibn Ardashīr al-Astarābādī, Bazm wa Razm, Paris, Bibliothèque nationale de France, Supplément Persan 211

Keywords: 
Manuscript, Islamic kingship, Royalty, History

Related Conversations

  • A grayscale chart consists of a series of different size ovals set in a horizontal line. Each oval contains more circles with illustrations inside them. Text labels the spheres and thin lines make connections between events.

    Rightly Dividing the Word of Truth

    A.T. Coates
  • Film photograph of a wrestler, standing wearing a velvet jacket and underwear, and his manager, seated wearing a colourful suit and sparkly hat

    The Mormon Heel

    David Walker
  • A circular tortoiseshell frame holds an embroidered image of an enthroned Virgin wearing a light blue cloak and holding the Christ child. Both wear royal coronets. A treasure chest lies open on the ground at their feet.

    The Balvanera Escudo

    Cristina Cruz González

Included in Articles

  • Adorning the King of Islam: Weaving and Unraveling History in Astarabadi’s Feasting and Fighting

    Ali Karjoo-Ravary

Related Objects

  • ʿAzīz ibn Ardashīr al-Astarābādī, ed. Mehmet Fuat Köprülüzade, Bazm wa Razm (Istanbul: Evkaf Matbaasi, 1928)

  • ʿAzīz ibn Ardashīr al-Astarābādī, Bazm wa Razm, Istanbul, Topkapı Sarayı Müzesi, Ahmet III (Enderûn) 2822

  • A plaster cast captures the features of a bearded and mustached man with slightly sunken, closed eyes. A metal plaque at the bottom labels the cast, "Masque de Henri IV."

    Death Mask of Henry IV of France

FELLOWS PORTAL
Yale University

Privacy Policy | Accessibility at Yale | Copyright 2023 Yale University All rights reserved.